General High-Definition Topics

Settings for the Ambient ACL 202CT / ACL 203 Lockit Box, and the Denecke SB-T Trilevel Syncbox

The Role of the DIT, or Digital Imaging Technician, in Film-style Digital Production

HD Audio Monitoring (wiring schematics)

Tri-level Sync Issues on the Set

Single-System & Double-System Sound Recording Techniques with HD Camcorders and 23.976 timecode

Suitable Grades of HD-SDI Cable for HDTV Production

Plasma Models Capable of Displaying 23.976psF

SMPTE & ITU Video Specifications - Quick Reference

Was it Cheaper to Shoot Star Wars Episode 2 on HD?

How To Set Up a HD monitor as a Standard Reference

Format Wars - Comparison of Video, Digital, HD, and Film

DTV Production and Transmission Standards

List of Labs that will convert Digital Video to 16/35/70mm Film

The First Digital Imaging Medium:
(or the original, all-digital "CCD" ....... a Dose of Digital Reality)

High Definition Workshops

Peter Gray
(near Los Angeles)
P.O. Box 5132
Pine Mountain Club, CA 93222
United States of America
cell: +1 (661) 219-3981
telephone1: +1 (661) 268-1530
telephone2: +1 (661) 242-1234

dp@petergray.org